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A double-header at this afternoon's medical appointment: the tech not only expressed surprise at my calendar age, but assumed from my voice that I was either foreign-born or had spent significant time out of the country, specifically she thought in the UK. Given the current climate, I should be clear that she was curious, not hostile; one of her children had been a staffer in the Obama administration and two others had been some kind of federal employee and she had considerable feelings on subjects from vaccines to tanks. But after I had gone through the standard litany clarifying the rather pathetic fact that I have lived my entire life in New England and the Boston area for most of it, she still thought I sounded British. "You should go over there. You'd blend right in." She herself had an old-school Boston accent. "People from anywhere, they can tell where I'm from." I am not good at other people's ages, but I don't believe that I look younger than my early forties, especially after the last few ravaging years, and I expect to be heard as American by anyone who actually has one or more of the plethora of accents on offer in the UK. Weirdest instance of trying to place my voice remains the time I was told by a very drunk Australian that I sounded like a Norwegian. Someday the question of my vocal origins will come around again because it has been doing so since my childhood and I will answer "Lisson Grove" just to see what happens.Current Music: Jack, "Cinematic"
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Both of Premee's cats have been found and returned.
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A fantastic quest may be a semi-divine repeat offender's chance for redemption.
Monkey King: Journey to the West by Wu Cheng’En (Translated by Julie Lovell)
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Posted by an https://www.transformativeworks.org/five-things-ladydragona-said/ https://www.transformativeworks.org/?p=267139 Every month or so the OTW will be doing a Q&A with one of its volunteers about their experiences in the organization. The posts express each volunteer’s personal views and do not necessarily reflect the views of the OTW or constitute OTW policy. Today’s post is with ladydragona, who volunteers as a Tag Wrangler.
How does what you do as a volunteer fit into what the OTW does?
As a Tag Wrangler my job is to make sure the tags users use on their works are connected (‘synned’ or made a synonym) to the Canonical (Official) tag they most closely relate to, which allows users browsing the Archive to filter for and search for these tags! I also create new Canonical tags when specific concepts have been tagged repeatedly enough and move tags that can’t be synned anywhere, either because too many concepts are in one tag or there just isn’t one to syn it to, to their appropriate fandom.
What is a typical week like for you as a volunteer?
I work a lot of hours at my irl job so most of my volunteer work has to happen around that. I try to wrangle tags for at least an hour every day after work while Wrangling parties are hosted some weekends so I’ll usually try to attend those which means I’ll spend more time wrangling then.
What made you decide to volunteer?
I’ve always loved fanfiction and, having experienced a handful of archive purges, I wanted to be involved and help maintain this site that I love so much. When I saw a Wrangler Q&A on Tumblr I realized it was possible for normal fans like myself to volunteer and help and that Q&A really made wrangling seem to be a fun thing to do.
What has been your biggest challenge doing work for the OTW?
My biggest challenge would probably be time-management. I’m prone to getting very focused on what I’m doing and not realizing just how much time has passed, as well as wanting to do more than I realistically have the time for. I often have to set timers to remind myself to go eat or go do something else.
What fannish things do you like to do?
My main fannish activity is writing fic! In fact, I’ve posted over two million words on the archive in the last 6 years and don’t see myself stopping any time soon! When not writing fic or volunteering I also share fanart and metas on social media as well as help my fellow fans brainstorm their own fics in various discord servers. I like being involved in my fandom’s community and have made some of my bestest friends that way.
Now that our volunteer’s said five things about what they do, it’s your turn to ask one more thing! Feel free to ask about their work in the comments. Or if you’d like, you can check out previous Five Things posts. https://www.transformativeworks.org/five-things-ladydragona-said/ https://www.transformativeworks.org/?p=267139
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The second-best part of this highly mediocre day was a gyro on which I put a phenomenal amount of tzatziki, to the point that by the end of it the meat was probably the condiment. The best part was taking a walk with ![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png) spatch right before sunset. I remembered to bring my camera.
( A blizzard in the midst of a sunny day. )
I am not sure that Series 13 of Doctor Who holds together at all, but since Kevin McNally was playing essentially Marcus Brody if he had started in parapsychology instead of classics, I enjoyed him very much.Current Music: Lo! Peninsula, "Quicksand (Nuffin)"
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In lesser catastrophes than the general planet, I have been noticing over the last eight months that while the majority of my audio transferred successfully from the archival hard drive that was for fourteen years my beloved Bertie Owen, certain artists seem to have gone incompletely and inexplicably missing, generally to be discovered by trying to cue up a track which no longer exists on my computer, which is what happened last night with Neil Hannon. Of the six albums by the Divine Comedy that I used to own along with a handful of random tracks and singles, the sole full-length survivors are Promenade (1994) and Bang Goes the Knighthood (2010), which are neither chronologically nor alphabetically even next to one another. The consolation lining is that at least I didn't lose one of my favorite songs which can be found on the latter, "Assume the Perpendicular." Like much of its composer's catalogue, it's a chamber-pop character sketch, wittily written and performed with a sincere straight face: trying to fix its position on the irony slider is pointless. "Slip on your Barbour jacket, jump in my old MG" sets the class bracket of its band of day-trippers, while the tenor of their conversation is nailed with equal concision by the architectural divisions of "Lavinia loves the lintels, Anna the architraves / Ben's impressed by the buttresses thrust up the chapel nave." Aside from the narrator who thought of that last line and delivers it with cheekily Coward-esque crispness, none of these people sounds like the most exciting company for a heritage day out with their diffident intentions to "make complimentary sounds and talk about nothing in particular." And yet as the song catchily progresses, these pretentious characters find themselves falling into the fun of their excursion, meandering the hedge maze, bouncing on historical beds, swinging around the library's railed ladders, and the music loosens right up along with them, the neat hand-clapped piano joined first by a brisk roll of drums and then a flourish of brass that unreel from a marching tattoo into a loose-jointed jam, until by the time a music-hallish banjo has ricky-tickied in on the action, the self-conscious distance of the original chorus has turned into "wild ecstatic sounds" and everybody including the listener is having a wonderful time tearing around this stately home where playing at aristocracy has given way to goofing off. It all ends in a little twiddle of electronica like a punch line. It doesn't really matter if it's sending up the sightseers who aren't even interested in the cider in Somerset, what it feels like as it winds down from that explosive high of exploration is a genuine invitation that I can play twenty times in a row, even if my closest examples of the Georgian style are not so much country houses as random historical registers and the occasional Revolutionary museum that I pass on the way to my parents or a supermarket.Current Music: The Divine Comedy, "Assume the Perpendicular"
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The ancient sun is cooling but human drama persists.
Sunfall by C J Cherryh
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I have observed Labor Day by doing basically nothing at all, but selkie introduced me to the sea-flooded Paleolithic of Cosquer Cave with its seals and great auks and the hand-marks of children and the one unknown figure like a seal-headed man speared, which reminded me that some days ago I meant to link the Langton Herring burial with its amulet of a Roman coin and its copper alloy mirror whose bladed crescent pattern made me think at first sight of owls. The clouds tonight are too thick for the aurora and the last of the Perseids, but the light has done its knife-trick of paling suddenly to autumn, as if summer just blew off it like haze. I am sure the heat will be back, the way we have scrambled the seasons: I keep trying to look for the tells to hold on to, like the late green curl of the leaves; the last of the monarchs in milk-jade chrysalis, a record twenty-two this summer if all safely make it to flight. I could go for a small ice age if I could be assured of the megafauna.Current Music: Andrew Bird & Matthew Berninger, "A Lyke Wake Dirge"
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Pull
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Sep. 1st, 2025 @ 04:00 am
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Posted by therealmorticia https://www.transformativeworks.org/2025-otw-election-statistics/ https://www.transformativeworks.org/?p=267054 Now that the 2025 election is over, we’re happy to share with you our voter turnout statistics!
For the 2025 Election, we had 15,138 total eligible voters. Of those, 2,197 voters cast a ballot, which represents 14.5% of the potential voters.
Our voter turnout is lower than that of last year, which had a turnout of 22.8%.
We also saw a decrease in the number of ballots cast, from 3,415 to 2,197, which represents a 35.6% decrease.
Elections is committed to continuing to reach out to our eligible members to encourage them to vote in elections. Whoever is elected to the Board of Directors can have an important influence on the long-term health of the OTW’s projects, and we want our members to have a say in that.
For those who might be interested in the number of votes each candidate received, please note that our election process is designed to elect an equal cohort of Board members in order to allow them to work well together, so we do not release that information. As a general rule, we also won’t disclose which of our unsuccessful candidates received the fewest votes, since we don’t want to discourage them from running again in the future when circumstances and member interest might be different. However, as there were only 3 candidates this year, revealing that information is unavoidable.
Once again, a big thank you to everyone who participated at every stage of the election! We hope to see you at the virtual polls again next year. https://www.transformativeworks.org/2025-otw-election-statistics/ https://www.transformativeworks.org/?p=267054
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The 2024 revised edition of Fragged Empire: fifteen thousand years in the future, humanity has gone extinct, but eight engineered species rule the wonders that remain.
Bundle of Holding: Fragged Empire 2E
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Like Sisyphus' rock, September has returned!
September 2025 Patreon Boost
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The weekend continued sleepless af with a double whammy of financial stress and I got nothing done that I had wanted, but spatch took a picture of me when I got back in from my walk that I liked, which these days is vanishing. I am not confident a normal amount of summer actually happened.
 Current Music: Theodore Bikel, "Dire-gelt"
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Per the ![[site community profile]](https://www.dreamwidth.org/img/comm_staff.png) dw_news post regarding the MS/TN blocks, we are doing a small code push shortly in order to get the code live. As per usual, please let us know if you see anything wonky.
There is some code cleanup we've been doing that is going out with this push but I don't think there is any new/reworked functionality, so it should be pretty invisible if all goes well.
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I will be too busy to post tomorrow.
2012: O2 offers free wifi to multitudes, which I only now realize may be have been referenced in Kingsman, researchers determine that despite a century having passed, the Titanic remains at the bottom of the Atlantic, and in a glorious celebration of the effectiveness of the modern British educational system, doctors warn Britons not to drink liquid nitrogen.
Open to: Registered Users, detailed results viewable to: All, participants: 47 Which 2012 Clarke Award Finalists Have You Read?
View AnswersThe Testament of Jessie Lamb by Jane Rogers
0 (0.0%) Embassytown by China Miéville
22 (46.8%) Hull Zero Three by Greg Bear
6 (12.8%) Rule 34 by Charles Stross
34 (72.3%) The Postmortal by Drew Magary
1 (2.1%) The Waters Rising by Sheri S. Tepper
7 (14.9%)
Bold for have read, italic for intend to read, underline for never heard of it.
Which 2012 Clarke Award Finalists Have You Read?
The Testament of Jessie Lamb by Jane Rogers
Embassytown by China Miéville
Hull Zero Three by Greg Bear
Rule 34 by Charles Stross
The Postmortal by Drew Magary
The Waters Rising by Sheri S. Tepper
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![[staff profile]](https://www.dreamwidth.org/img/silk/identity/user_staff.png) denise, posting in dw_news
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A reminder to everyone that starting tomorrow, we are being forced to block access to any IP address that geolocates to the state of Mississippi for legal reasons while we and Netchoice continue fighting the law in court. People whose IP addresses geolocate to Mississippi will only be able to access a page that explains the issue and lets them know that we'll be back to offer them service as soon as the legal risk to us is less existential.
The block page will include the apology but I'll repeat it here: we don't do geolocation ourselves, so we're limited to the geolocation ability of our network provider. Our anti-spam geolocation blocks have shown us that their geolocation database has a number of mistakes in it. If one of your friends who doesn't live in Mississippi gets the block message, there is nothing we can do on our end to adjust the block, because we don't control it. The only way to fix a mistaken block is to change your IP address to one that doesn't register as being in Mississippi, either by disconnecting your internet connection and reconnecting it (if you don't have a static IP address) or using a VPN.
In related news, the judge in our challenge to Tennessee's social media age verification, parental consent, and parental surveillance law (which we are also part of the fight against!) ruled last month that we had not met the threshold for a temporary injunction preventing the state from enforcing the law while the court case proceeds.
The Tennesee law is less onerous than the Mississippi law and the fines for violating it are slightly less ruinous (slightly), but it's still a risk to us. While the fight goes on, we've decided to prevent any new account signups from anyone under 18 in Tennessee to protect ourselves against risk. We do not need to block access from the whole state: this only applies to new account creation.
Because we don't do any geolocation on our users and our network provider's geolocation services only apply to blocking access to the site entirely, the way we're implementing this is a new mandatory question on the account creation form asking if you live in Tennessee. If you do, you'll be unable to register an account if you're under 18, not just the under 13 restriction mandated by COPPA. Like the restrictions on the state of Mississippi, we absolutely hate having to do this, we're sorry, and we hope we'll be able to undo it as soon as possible.
Finally, I'd like to thank every one of you who's commented with a message of support for this fight or who's bought paid time to help keep us running. The fact we're entirely user-supported and you all genuinely understand why this fight is so important for everyone is a huge part of why we can continue to do this work. I've also sent a lot of your comments to the lawyers who are fighting the actual battles in court, and they find your wholehearted support just as encouraging and motivating as I do. Thank you all once again for being the best users any social media site could ever hope for. You make me proud and even more determined to yell at state attorneys general on your behalf.
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I didn't win any awards in August but I did review 22 more works. James Nicoll Reviews is now 34 reviews away from its 3000th review.
August 2025 in Review
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Marooned on a backwater planet, a down-on-his-luck actor sets out to transform his new home. Will he survive success?
Always the Black Knight by Lee Hoffman
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My paramount goal for last night was sleep and it failed so horrifically that I have had a flat and frustratingly nonexistent day, but in listening to the three different cast recordings of 1776 which I now own—1969 Broadway, 1970 London, and 1972 film—and rewatching a handful of scenes from the handily streaming film, thirty years after initial exposure in eighth grade social studies it finally clicked with me that so much of the appeal of its John Adams is directly proportional to his being such a disaster. Especially as incarnated by the superbly obstreperous William Daniels, the delegate from Massachusetts is simultaneously an incandescent engine of rage against the machines of tyranny and an indignant wet cat of a man endowed with the inalienable right of shooting himself in the foot, cf. the opening number devoted to establishing that he has achieved the political and personal milestone of pissing off an entire continental congress. His capacity for chill is somewhere in the decatherms and he wasn't even close enough to the door to be standing behind it when social finesse was handed out. He has the self-aware saving grace of a sense of humor which quirks out in unsuccessfully repressed smiles, but he's the awkward straight man just as often as he snarks drily for the Colonies; one of the best details of his physical acting is a nervous flicker of the fingers which stands sometimes for constant restive thought and sometimes for not knowing what the hell to do with his hands. It's not a comic characterization, but it does make the moments where he lets his guard down all the more quietly effective, because too often it's punctured for him. His own personality is among the obstacles of policy, philosophy, and factionalism facing a successful declaration of independence and down to the wire the play never lets him forget it. He dances so gravely and gracefully with Blythe Danner's Martha Washington, he earns the smugness with which he calls across to Howard da Silva as they whirl into the showiest choreography of the song, "We still do a few things in Boston, Franklin!" Who wasn't supposed to imprint on that unbeatable combination of furious integrity that shouldn't be let out unsupervised for five minutes? Damn this government for making any national celebration so meanly jingoistic, I couldn't even think about attending this spring's sestercentennial of the Battle of Lexington in my eighteenth-century shirt.Current Music: Mt. Joy, "She Wants to Go Dancing"
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